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The Two Gentlemen
of Verona
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  • ACT II SCENE I

    
     Dramatis Personae 
     Act I   Scene I 
     Act I   Scene II 
     Act I   Scene III 
     Act II  Scene I 
     Act II  Scene II 
     Act II  Scene III 
     Act II  Scene IV 
     Act II  Scene V 
     Act II  Scene VI 
     Act II  Scene VII 
    
    
     Act III Scene I 
     Act III Scene II 
     Act IV  Scene I  
     Act IV  Scene II 
     Act IV  Scene III 
     Act IV  Scene IV 
     Act V   Scene I 
     Act V   Scene II 
     Act V   Scene III 
     Act V   Scene IV 
     Complete play
    


      Act II  

    
    ACT II: SCENE I	Milan. The DUKE's palace.

    
    	Enter VALENTINE and SPEED
    
    SPEED	Sir, your glove.
    
    VALENTINE	                  Not mine; my gloves are on.
    
    SPEED	Why, then, this may be yours, for this is but one.
    
    VALENTINE	Ha! let me see: ay, give it me, it's mine:
    	Sweet ornament that decks a thing divine!
    	Ah, Silvia, Silvia!
    
    SPEED	Madam Silvia! Madam Silvia!
    
    VALENTINE	How now, sirrah?
    
    SPEED	She is not within hearing, sir.
    
    VALENTINE	Why, sir, who bade you call her?
    
    SPEED	Your worship, sir; or else I mistook.
    
    VALENTINE	Well, you'll still be too forward.
    
    SPEED	And yet I was last chidden for being too slow.
    
    VALENTINE	Go to, sir: tell me, do you know Madam Silvia?
    
    SPEED	She that your worship loves?
    
    VALENTINE	Why, how know you that I am in love?
    
    SPEED	Marry, by these special marks: first, you have
    	learned, like Sir Proteus, to wreathe your arms,
    	like a malecontent; to relish a love-song, like a
    	robin-redbreast; to walk alone, like one that had
    	the pestilence; to sigh, like a school-boy that had
    	lost his A B C; to weep, like a young wench that had
    	buried her grandam; to fast, like one that takes
    	diet; to watch like one that fears robbing; to
    	speak puling, like a beggar at Hallowmas. You were
    	wont, when you laughed, to crow like a cock; when you
    	walked, to walk like one of the lions; when you
    	fasted, it was presently after dinner; when you
    	looked sadly, it was for want of money: and now you
    	are metamorphosed with a mistress, that, when I look
    	on you, I can hardly think you my master.
    
    VALENTINE	Are all these things perceived in me?
    
    SPEED	They are all perceived without ye.
    
    VALENTINE	Without me? they cannot.
    
    SPEED	Without you? nay, that's certain, for, without you
    	were so simple, none else would: but you are so
    	without these follies, that these follies are within
    	you and shine through you like the water in an
    	urinal, that not an eye that sees you but is a
    	physician to comment on your malady.
    
    VALENTINE	But tell me, dost thou know my lady Silvia?
    
    SPEED	She that you gaze on so as she sits at supper?
    
    VALENTINE	Hast thou observed that? even she, I mean.
    
    SPEED	Why, sir, I know her not.
    
    VALENTINE	Dost thou know her by my gazing on her, and yet
    	knowest her not?
    
    SPEED	Is she not hard-favoured, sir?
    
    VALENTINE	Not so fair, boy, as well-favoured.
    
    SPEED	Sir, I know that well enough.
    
    VALENTINE	What dost thou know?
    
    SPEED	That she is not so fair as, of you, well-favoured.
    
    VALENTINE	I mean that her beauty is exquisite, but her favour infinite.
    
    SPEED	That's because the one is painted and the other out
    	of all count.
    
    VALENTINE	How painted? and how out of count?
    
    SPEED	Marry, sir, so painted, to make her fair, that no
    	man counts of her beauty.
    
    VALENTINE	How esteemest thou me? I account of her beauty.
    
    SPEED	You never saw her since she was deformed.
    
    VALENTINE	How long hath she been deformed?
    
    SPEED	Ever since you loved her.
    
    VALENTINE	I have loved her ever since I saw her; and still I
    	see her beautiful.
    
    SPEED	If you love her, you cannot see her.
    
    VALENTINE	Why?
    
    SPEED	Because Love is blind. O, that you had mine eyes;
    	or your own eyes had the lights they were wont to
    	have when you chid at Sir Proteus for going
    	ungartered!
    
    VALENTINE	What should I see then?
    
    SPEED	Your own present folly and her passing deformity:
    	for he, being in love, could not see to garter his
    	hose, and you, being in love, cannot see to put on your hose.
    
    VALENTINE	Belike, boy, then, you are in love; for last
    	morning you could not see to wipe my shoes.
    
    SPEED	True, sir; I was in love with my bed: I thank you,
    	you swinged me for my love, which makes me the
    	bolder to chide you for yours.
    
    VALENTINE	In conclusion, I stand affected to her.
    
    SPEED	I would you were set, so your affection would cease.
    
    VALENTINE	Last night she enjoined me to write some lines to
    	one she loves.
    
    SPEED	And have you?
    
    VALENTINE	I have.
    
    SPEED	Are they not lamely writ?
    
    VALENTINE	No, boy, but as well as I can do them. Peace!
    	here she comes.
    
    SPEED	Aside  O excellent motion! O exceeding puppet!
    	Now will he interpret to her.
    
    	Enter SILVIA
    
    VALENTINE	Madam and mistress, a thousand good-morrows.
    
    SPEED	Aside  O, give ye good even! here's a million of manners.
    
    SILVIA	Sir Valentine and servant, to you two thousand.
    
    SPEED	Aside  He should give her interest and she gives it him.
    
    VALENTINE	As you enjoin'd me, I have writ your letter
    	Unto the secret nameless friend of yours;
    	Which I was much unwilling to proceed in
    	But for my duty to your ladyship.
    
    SILVIA	I thank you gentle servant: 'tis very clerkly done.
    
    VALENTINE	Now trust me, madam, it came hardly off;
    	For being ignorant to whom it goes
    	I writ at random, very doubtfully.
    
    SILVIA	Perchance you think too much of so much pains?
    
    VALENTINE	No, madam; so it stead you, I will write
    	Please you command, a thousand times as much; And yet--
    
    SILVIA	A pretty period! Well, I guess the sequel;
    	And yet I will not name it; and yet I care not;
    	And yet take this again; and yet I thank you,
    	Meaning henceforth to trouble you no more.
    
    SPEED	Aside  And yet you will; and yet another 'yet.'
    
    VALENTINE	What means your ladyship? do you not like it?
    
    SILVIA	Yes, yes; the lines are very quaintly writ;
    	But since unwillingly, take them again.
    	Nay, take them.
    
    VALENTINE	Madam, they are for you.
    
    SILVIA	Ay, ay: you writ them, sir, at my request;
    	But I will none of them; they are for you;
    	I would have had them writ more movingly.
    
    VALENTINE	Please you, I'll write your ladyship another.
    
    SILVIA	And when it's writ, for my sake read it over,
    	And if it please you, so; if not, why, so.
    
    VALENTINE	If it please me, madam, what then?
    
    SILVIA	Why, if it please you, take it for your labour:
    	And so, good morrow, servant.
    
    	Exit
    
    SPEED	O jest unseen, inscrutable, invisible,
    	As a nose on a man's face, or a weathercock on a steeple!
    	My master sues to her, and she hath
    	taught her suitor,
    	He being her pupil, to become her tutor.
    	O excellent device! was there ever heard a better,
    	That my master, being scribe, to himself should write
    	the letter?
    
    VALENTINE	How now, sir? what are you reasoning with yourself?
    
    SPEED	Nay, I was rhyming: 'tis you that have the reason.
    
    VALENTINE	To do what?
    
    SPEED	To be a spokesman for Madam Silvia.
    
    VALENTINE	To whom?
    
    SPEED	To yourself: why, she wooes you by a figure.
    
    VALENTINE	What figure?
    
    SPEED	By a letter, I should say.
    
    VALENTINE	Why, she hath not writ to me?
    
    SPEED	What need she, when she hath made you write to
    	yourself? Why, do you not perceive the jest?
    
    VALENTINE	No, believe me.
    
    SPEED	No believing you, indeed, sir. But did you perceive
    	her earnest?
    
    VALENTINE	She gave me none, except an angry word.
    
    SPEED	Why, she hath given you a letter.
    
    VALENTINE	That's the letter I writ to her friend.
    
    SPEED	And that letter hath she delivered, and there an end.
    
    VALENTINE	I would it were no worse.
    
    SPEED	I'll warrant you, 'tis as well:
    	For often have you writ to her, and she, in modesty,
    	Or else for want of idle time, could not again reply;
    	Or fearing else some messenger that might her mind discover,
    	Herself hath taught her love himself to write unto her lover.
    	All this I speak in print, for in print I found it.
    	Why muse you, sir? 'tis dinner-time.
    
    VALENTINE	I have dined.
    
    SPEED	Ay, but hearken, sir; though the chameleon Love can
    	feed on the air, I am one that am nourished by my
    	victuals, and would fain have meat. O, be not like
    	your mistress; be moved, be moved.
    
    	Exeunt
    
    
    
    

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