Works    |    Last play                 ÆSOP SHAKESPEARE           Next play     |    Glossary
Created and designed by




Roman plays

Antony and Cleopatra
  • Last scene
  • Next scene
  • Complete play
  • ACT I SCENE III

    
     Dramatis Personae 
     Act I   Scene I 
     Act I   Scene II 
     Act I   Scene III 
     Act I   Scene IV 
     Act I   Scene V 
     Act II  Scene I 
     Act II  Scene II 
     Act II  Scene III 
     Act II  Scene IV 
     Act II  Scene V 
     Act II  Scene VI
     Act II  Scene VII  
     Act III Scene I 
     Act III Scene II 
     Act III Scene III 
     Act III Scene IV 
     Act III Scene V 
     Act III Scene VI 
     Act III Scene VII 
     Act III Scene VIII
     Act III Scene IX 
    
    
     Act III Scene X 
     Act III Scene XI 
     Act III Scene XII 
     Act III Scene XIII 
     Act IV  Scene I  
     Act IV  Scene II 
     Act IV  Scene III 
     Act IV  Scene IV 
     Act IV  Scene V
     Act IV  Scene VI
     Act IV  Scene VII
     Act IV  Scene VIII
     Act IV  Scene IX
     Act IV  Scene X
     Act IV  Scene XI
     Act IV  Scene XII
     Act IV  Scene XIII
     Act IV  Scene XIV
     Act IV  Scene XV
     Act V   Scene I 
     Act V   Scene II 
     Complete play


     Act I 

    
    ACT I: SCENE III	The same. Another room.

    
    		Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
    
    CLEOPATRA	Where is he?
    
    CHARMIAN	                  I did not see him since.
    
    CLEOPATRA	See where he is, who's with him, what he does:
    	I did not send you: if you find him sad,
    	Say I am dancing; if in mirth, report
    	That I am sudden sick: quick, and return.
    
    	Exit ALEXAS
    
    CHARMIAN	Madam, methinks, if you did love him dearly,
    	You do not hold the method to enforce
    	The like from him.
    
    CLEOPATRA	                  What should I do, I do not?
    
    CHARMIAN	In each thing give him way, cross him nothing.
    
    CLEOPATRA	Thou teachest like a fool; the way to lose him.
    
    CHARMIAN	Tempt him not so too far; I wish, forbear:
    	In time we hate that which we often fear.
    	But here comes Antony.
    
    	Enter MARK ANTONY
    
    CLEOPATRA	I am sick and sullen.
    
    MARK ANTONY	I am sorry to give breathing to my purpose,--
    
    CLEOPATRA	Help me away, dear Charmian; I shall fall:
    	It cannot be thus long, the sides of nature
    	Will not sustain it.
    
    MARK ANTONY	Now, my dearest queen,--
    
    CLEOPATRA	Pray you, stand further from me.
    
    MARK ANTONY	What's the matter?
    
    CLEOPATRA	I know, by that same eye, there's some good news.
    	What says the married woman? You may go:
    	Would she had never given you leave to come!
    	Let her not say 'tis I that keep you here:
    	I have no power upon you; hers you are.
    
    MARK ANTONY	The gods best know,--
    
    CLEOPATRA	O, never was there queen
    	So mightily betray'd! yet at the first
    	I saw the treasons planted.
    
    MARK ANTONY	Cleopatra,--
    
    CLEOPATRA	Why should I think you can be mine and true,
    	Though you in swearing shake the throned gods,
    	Who have been false to Fulvia? Riotous madness,
    	To be entangled with those mouth-made vows,
    	Which break themselves in swearing!
    
    MARK ANTONY	Most sweet queen,--
    
    CLEOPATRA	Nay, pray you, seek no colour for your going,
    	But bid farewell, and go: when you sued staying,
    	Then was the time for words: no going then;
    	Eternity was in our lips and eyes,
    	Bliss in our brows' bent; none our parts so poor,
    	But was a race of heaven: they are so still,
    	Or thou, the greatest soldier of the world,
    	Art turn'd the greatest liar.
    
    MARK ANTONY	How now, lady!
    
    CLEOPATRA	I would I had thy inches; thou shouldst know
    	There were a heart in Egypt.
    
    MARK ANTONY	Hear me, queen:
    	The strong necessity of time commands
    	Our services awhile; but my full heart
    	Remains in use with you. Our Italy
    	Shines o'er with civil swords: Sextus Pompeius
    	Makes his approaches to the port of Rome:
    	Equality of two domestic powers
    	Breed scrupulous faction: the hated, grown to strength,
    	Are newly grown to love: the condemn'd Pompey,
    	Rich in his father's honour, creeps apace,
    	Into the hearts of such as have not thrived
    	Upon the present state, whose numbers threaten;
    	And quietness, grown sick of rest, would purge
    	By any desperate change: my more particular,
    	And that which most with you should safe my going,
    	Is Fulvia's death.
    
    CLEOPATRA	Though age from folly could not give me freedom,
    	It does from childishness: can Fulvia die?
    
    MARK ANTONY	She's dead, my queen:
    	Look here, and at thy sovereign leisure read
    	The garboils she awaked; at the last, best:
    	See when and where she died.
    
    CLEOPATRA	O most false love!
    	Where be the sacred vials thou shouldst fill
    	With sorrowful water? Now I see, I see,
    	In Fulvia's death, how mine received shall be.
    
    MARK ANTONY	Quarrel no more, but be prepared to know
    	The purposes I bear; which are, or cease,
    	As you shall give the advice. By the fire
    	That quickens Nilus' slime, I go from hence
    	Thy soldier, servant; making peace or war
    	As thou affect'st.
    
    CLEOPATRA	                  Cut my lace, Charmian, come;
    	But let it be: I am quickly ill, and well,
    	So Antony loves.
    
    MARK ANTONY	                  My precious queen, forbear;
    	And give true evidence to his love, which stands
    	An honourable trial.
    
    CLEOPATRA	So Fulvia told me.
    	I prithee, turn aside and weep for her,
    	Then bid adieu to me, and say the tears
    	Belong to Egypt: good now, play one scene
    	Of excellent dissembling; and let it look
    	Life perfect honour.
    
    MARK ANTONY	You'll heat my blood: no more.
    
    CLEOPATRA	You can do better yet; but this is meetly.
    
    MARK ANTONY	Now, by my sword,--
    
    CLEOPATRA	And target. Still he mends;
    	But this is not the best. Look, prithee, Charmian,
    	How this Herculean Roman does become
    	The carriage of his chafe.
    
    MARK ANTONY	I'll leave you, lady.
    
    CLEOPATRA	Courteous lord, one word.
    	Sir, you and I must part, but that's not it:
    	Sir, you and I have loved, but there's not it;
    	That you know well: something it is I would,
    	O, my oblivion is a very Antony,
    	And I am all forgotten.
    
    MARK ANTONY	But that your royalty
    	Holds idleness your subject, I should take you
    	For idleness itself.
    
    CLEOPATRA	'Tis sweating labour
    	To bear such idleness so near the heart
    	As Cleopatra this. But, sir, forgive me;
    	Since my becomings kill me, when they do not
    	Eye well to you: your honour calls you hence;
    	Therefore be deaf to my unpitied folly.
    	And all the gods go with you! upon your sword
    	Sit laurel victory! and smooth success
    	Be strew'd before your feet!
    
    MARK ANTONY	Let us go. Come;
    	Our separation so abides, and flies,
    	That thou, residing here, go'st yet with me,
    	And I, hence fleeting, here remain with thee. Away!
    
    	Exeunt
    
    
    

    Last scene | This scene | All scenes in this play | Dramatis Personæ | Shakespeare's works | Next scene