Works    |    Last play                 ÆSOP SHAKESPEARE           Next play     |    Glossary
Created and designed by




Comedies

Love's Labours Lost
  • Last scene
  • Next scene
  • Complete play
  • ACT IV SCENE I

    
     Dramatis Personae 
     Act I   Scene I 
     Act I   Scene II 
     Act II  Scene I 
     Act III Scene I 
     Act IV  Scene I  
     Act IV  Scene II 
     Act IV  Scene III 
     Act V   Scene I 
     Act V   Scene II 
     Complete play
    


     Act IV 

    
    ACT IV: SCENE I	The same.

    
    	Enter the PRINCESS, and her train, a Forester,
    	BOYET, ROSALINE, MARIA, and KATHARINE
    
    PRINCESS	Was that the king, that spurred his horse so hard
    	Against the steep uprising of the hill?
    
    BOYET	I know not; but I think it was not he.
    
    PRINCESS	Whoe'er a' was, a' show'd a mounting mind.
    	Well, lords, to-day we shall have our dispatch:
    	On Saturday we will return to France.
    	Then, forester, my friend, where is the bush
    	That we must stand and play the murderer in?
    
    Forester	Hereby, upon the edge of yonder coppice;
    	A stand where you may make the fairest shoot.
    
    PRINCESS	I thank my beauty, I am fair that shoot,
    	And thereupon thou speak'st the fairest shoot.
    
    Forester	Pardon me, madam, for I meant not so.
    
    PRINCESS	What, what? first praise me and again say no?
    	O short-lived pride! Not fair? alack for woe!
    
    Forester	Yes, madam, fair.
    
    PRINCESS	                  Nay, never paint me now:
    	Where fair is not, praise cannot mend the brow.
    	Here, good my glass, take this for telling true:
    	Fair payment for foul words is more than due.
    
    Forester	Nothing but fair is that which you inherit.
    
    PRINCESS	See see, my beauty will be saved by merit!
    	O heresy in fair, fit for these days!
    	A giving hand, though foul, shall have fair praise.
    	But come, the bow: now mercy goes to kill,
    	And shooting well is then accounted ill.
    	Thus will I save my credit in the shoot:
    	Not wounding, pity would not let me do't;
    	If wounding, then it was to show my skill,
    	That more for praise than purpose meant to kill.
    	And out of question so it is sometimes,
    	Glory grows guilty of detested crimes,
    	When, for fame's sake, for praise, an outward part,
    	We bend to that the working of the heart;
    	As I for praise alone now seek to spill
    	The poor deer's blood, that my heart means no ill.
    
    BOYET	Do not curst wives hold that self-sovereignty
    	Only for praise sake, when they strive to be
    	Lords o'er their lords?
    
    PRINCESS	Only for praise: and praise we may afford
    	To any lady that subdues a lord.
    
    BOYET	Here comes a member of the commonwealth.
    
    	Enter COSTARD
    
    COSTARD	God dig-you-den all! Pray you, which is the head lady?
    
    PRINCESS	Thou shalt know her, fellow, by the rest that have no heads.
    
    COSTARD	Which is the greatest lady, the highest?
    
    PRINCESS	The thickest and the tallest.
    
    COSTARD	The thickest and the tallest! it is so; truth is truth.
    	An your waist, mistress, were as slender as my wit,
    	One o' these maids' girdles for your waist should be fit.
    	Are not you the chief woman? you are the thickest here.
    
    PRINCESS	What's your will, sir? what's your will?
    
    COSTARD	I have a letter from Monsieur Biron to one Lady Rosaline.
    
    PRINCESS	O, thy letter, thy letter! he's a good friend of mine:
    	Stand aside, good bearer. Boyet, you can carve;
    	Break up this capon.
    
    BOYET	I am bound to serve.
    	This letter is mistook, it importeth none here;
    	It is writ to Jaquenetta.
    
    PRINCESS	We will read it, I swear.
    	Break the neck of the wax, and every one give ear.
    
    	Reads
    
    BOYET	'By heaven, that thou art fair, is most infallible;
    	true, that thou art beauteous; truth itself, that
    	thou art lovely. More fairer than fair, beautiful
    	than beauteous, truer than truth itself, have
    	commiseration on thy heroical vassal! The
    	magnanimous and most illustrate king Cophetua set
    	eye upon the pernicious and indubitate beggar
    	Zenelophon; and he it was that might rightly say,
    	Veni, vidi, vici; which to annothanize in the
    	vulgar,--O base and obscure vulgar!--videlicet, He
    	came, saw, and overcame: he came, one; saw two;
    	overcame, three. Who came? the king: why did he
    	come? to see: why did he see? to overcome: to
    	whom came he? to the beggar: what saw he? the
    	beggar: who overcame he? the beggar. The
    	conclusion is victory: on whose side? the king's.
    	The captive is enriched: on whose side? the
    	beggar's. The catastrophe is a nuptial: on whose
    	side? the king's: no, on both in one, or one in
    	both. I am the king; for so stands the comparison:
    	thou the beggar; for so witnesseth thy lowliness.
    	Shall I command thy love? I may: shall I enforce
    	thy love? I could: shall I entreat thy love? I
    	will. What shalt thou exchange for rags? robes;
    	for tittles? titles; for thyself? me. Thus,
    	expecting thy reply, I profane my lips on thy foot,
    	my eyes on thy picture. and my heart on thy every
    	part. Thine, in the dearest design of industry,
    		    DON ADRIANO DE ARMADO.'
    
    	Thus dost thou hear the Nemean lion roar
    	'Gainst thee, thou lamb, that standest as his prey.
    	Submissive fall his princely feet before,
    	And he from forage will incline to play:
    	But if thou strive, poor soul, what art thou then?
    	Food for his rage, repasture for his den.
    
    PRINCESS	What plume of feathers is he that indited this letter?
    	What vane? what weathercock? did you ever hear better?
    
    BOYET	I am much deceived but I remember the style.
    
    PRINCESS	Else your memory is bad, going o'er it erewhile.
    
    BOYET	This Armado is a Spaniard, that keeps here in court;
    	A phantasime, a Monarcho, and one that makes sport
    	To the prince and his bookmates.
    
    PRINCESS	Thou fellow, a word:
    	Who gave thee this letter?
    
    COSTARD	I told you; my lord.
    
    PRINCESS	To whom shouldst thou give it?
    
    COSTARD	From my lord to my lady.
    
    PRINCESS	From which lord to which lady?
    
    COSTARD	From my lord Biron, a good master of mine,
    	To a lady of France that he call'd Rosaline.
    
    PRINCESS	Thou hast mistaken his letter. Come, lords, away.
    
    	To ROSALINE
    
    	Here, sweet, put up this: 'twill be thine another day.
    
    	Exeunt PRINCESS and train
    
    BOYET	Who is the suitor? who is the suitor?
    
    ROSALINE	Shall I teach you to know?
    
    BOYET	Ay, my continent of beauty.
    
    ROSALINE	Why, she that bears the bow.
    	Finely put off!
    
    BOYET	My lady goes to kill horns; but, if thou marry,
    	Hang me by the neck, if horns that year miscarry.
    	Finely put on!
    
    ROSALINE	Well, then, I am the shooter.
    
    BOYET	And who is your deer?
    
    ROSALINE	If we choose by the horns, yourself come not near.
    	Finely put on, indeed!
    
    MARIA	You still wrangle with her, Boyet, and she strikes
    	at the brow.
    
    BOYET	But she herself is hit lower: have I hit her now?
    
    ROSALINE	Shall I come upon thee with an old saying, that was
    	a man when King Pepin of France was a little boy, as
    	touching the hit it?
    
    BOYET	So I may answer thee with one as old, that was a
    	woman when Queen Guinover of Britain was a little
    	wench, as touching the hit it.
    
    ROSALINE	          Thou canst not hit it, hit it, hit it,
    	Thou canst not hit it, my good man.
    
    BOYET	          An I cannot, cannot, cannot,
    	An I cannot, another can.
    
    	Exeunt ROSALINE and KATHARINE
    
    COSTARD	By my troth, most pleasant: how both did fit it!
    
    MARIA	A mark marvellous well shot, for they both did hit it.
    
    BOYET	A mark! O, mark but that mark! A mark, says my lady!
    	Let the mark have a prick in't, to mete at, if it may be.
    
    MARIA	Wide o' the bow hand! i' faith, your hand is out.
    
    COSTARD	Indeed, a' must shoot nearer, or he'll ne'er hit the clout.
    
    BOYET	An if my hand be out, then belike your hand is in.
    
    COSTARD	Then will she get the upshoot by cleaving the pin.
    
    MARIA	Come, come, you talk greasily; your lips grow foul.
    
    COSTARD	She's too hard for you at pricks, sir: challenge her to bowl.
    
    BOYET	I fear too much rubbing. Good night, my good owl.
    
    	Exeunt BOYET and MARIA
    
    COSTARD	By my soul, a swain! a most simple clown!
    	Lord, Lord, how the ladies and I have put him down!
    	O' my troth, most sweet jests! most incony
    	vulgar wit!
    	When it comes so smoothly off, so obscenely, as it
    	were, so fit.
    	Armado o' th' one side,--O, a most dainty man!
    	To see him walk before a lady and to bear her fan!
    	To see him kiss his hand! and how most sweetly a'
    	will swear!
    	And his page o' t' other side, that handful of wit!
    	Ah, heavens, it is a most pathetical nit!
    	Sola, sola!
    
    	Shout within
    
    	Exit COSTARD, running
    
    
    

    Last scene | This scene | All scenes in this play | Dramatis Personæ | Shakespeare's works | Next scene