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Cymbeline
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  • ACT I SCENE V

    
     Dramatis Personae 
     Act I   Scene I 
     Act I   Scene II 
     Act I   Scene III 
     Act I   Scene IV 
     Act I   Scene V 
     Act I   Scene VI 
     Act II  Scene I 
     Act II  Scene II 
     Act II  Scene III 
     Act II  Scene IV 
     Act II  Scene V 
     Act III Scene I 
     Act III Scene II 
    
    
     Act III Scene III 
     Act III Scene IV 
     Act III Scene V 
     Act III Scene VI 
     Act III Scene VII 
     Act IV  Scene I  
     Act IV  Scene II 
     Act IV  Scene III 
     Act IV  Scene IV 
     Act V   Scene I 
     Act V   Scene II 
     Act V   Scene III 
     Act V   Scene IV 
     Act V   Scene V 
     Complete play
    


     Act I 

    
    ACT I: SCENE V	Britain. A room in Cymbeline's palace.

    
    	Enter QUEEN, Ladies, and CORNELIUS
    
    QUEEN	Whiles yet the dew's on ground, gather those flowers;
    	Make haste: who has the note of them?
    
    First Lady	I, madam.
    
    QUEEN	Dispatch.
    
    	Exeunt Ladies
    
    	Now, master doctor, have you brought those drugs?
    
    CORNELIUS	Pleaseth your highness, ay: here they are, madam:
    
    	Presenting a small box
    
    	But I beseech your grace, without offence,--
    	My conscience bids me ask--wherefore you have
    	Commanded of me those most poisonous compounds,
    	Which are the movers of a languishing death;
    	But though slow, deadly?
    
    QUEEN	I wonder, doctor,
    	Thou ask'st me such a question. Have I not been
    	Thy pupil long? Hast thou not learn'd me how
    	To make perfumes? distil? preserve? yea, so
    	That our great king himself doth woo me oft
    	For my confections? Having thus far proceeded,--
    	Unless thou think'st me devilish--is't not meet
    	That I did amplify my judgment in
    	Other conclusions? I will try the forces
    	Of these thy compounds on such creatures as
    	We count not worth the hanging, but none human,
    	To try the vigour of them and apply
    	Allayments to their act, and by them gather
    	Their several virtues and effects.
    
    CORNELIUS	Your highness
    	Shall from this practise but make hard your heart:
    	Besides, the seeing these effects will be
    	Both noisome and infectious.
    
    QUEEN	O, content thee.
    
    	Enter PISANIO
    
    	Aside
    
    	Here comes a flattering rascal; upon him
    	Will I first work: he's for his master,
    	An enemy to my son. How now, Pisanio!
    	Doctor, your service for this time is ended;
    	Take your own way.
    
    CORNELIUS	Aside          I do suspect you, madam;
    	But you shall do no harm.
    
    QUEEN	To PISANIO            Hark thee, a word.
    
    CORNELIUS	Aside  I do not like her. She doth think she has
    	Strange lingering poisons: I do know her spirit,
    	And will not trust one of her malice with
    	A drug of such damn'd nature. Those she has
    	Will stupefy and dull the sense awhile;
    	Which first, perchance, she'll prove on
    	cats and dogs,
    	Then afterward up higher: but there is
    	No danger in what show of death it makes,
    	More than the locking-up the spirits a time,
    	To be more fresh, reviving. She is fool'd
    	With a most false effect; and I the truer,
    	So to be false with her.
    
    QUEEN	No further service, doctor,
    	Until I send for thee.
    
    CORNELIUS	I humbly take my leave.
    
    	Exit
    
    QUEEN	Weeps she still, say'st thou? Dost thou think in time
    	She will not quench and let instructions enter
    	Where folly now possesses? Do thou work:
    	When thou shalt bring me word she loves my son,
    	I'll tell thee on the instant thou art then
    	As great as is thy master, greater, for
    	His fortunes all lie speechless and his name
    	Is at last gasp: return he cannot, nor
    	Continue where he is: to shift his being
    	Is to exchange one misery with another,
    	And every day that comes comes to decay
    	A day's work in him. What shalt thou expect,
    	To be depender on a thing that leans,
    	Who cannot be new built, nor has no friends,
    	So much as but to prop him?
    
    	The QUEEN drops the box: PISANIO takes it up
    
    		      Thou takest up
    	Thou know'st not what; but take it for thy labour:
    	It is a thing I made, which hath the king
    	Five times redeem'd from death: I do not know
    	What is more cordial. Nay, I prethee, take it;
    	It is an earnest of a further good
    	That I mean to thee. Tell thy mistress how
    	The case stands with her; do't as from thyself.
    	Think what a chance thou changest on, but think
    	Thou hast thy mistress still, to boot, my son,
    	Who shall take notice of thee: I'll move the king
    	To any shape of thy preferment such
    	As thou'lt desire; and then myself, I chiefly,
    	That set thee on to this desert, am bound
    	To load thy merit richly. Call my women:
    	Think on my words.
    
    	Exit PISANIO
    
    		A sly and constant knave,
    	Not to be shaked; the agent for his master
    	And the remembrancer of her to hold
    	The hand-fast to her lord. I have given him that
    	Which, if he take, shall quite unpeople her
    	Of liegers for her sweet, and which she after,
    	Except she bend her humour, shall be assured
    	To taste of too.
    
    	Re-enter PISANIO and Ladies
    
    	So, so: well done, well done:
    	The violets, cowslips, and the primroses,
    	Bear to my closet. Fare thee well, Pisanio;
    	Think on my words.
    
    	Exeunt QUEEN and Ladies
    
    PISANIO	And shall do:
    	But when to my good lord I prove untrue,
    	I'll choke myself: there's all I'll do for you.
    
    	Exit
    
    
    

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