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Cymbeline
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  • ACT II SCENE II

    
     Dramatis Personae 
     Act I   Scene I 
     Act I   Scene II 
     Act I   Scene III 
     Act I   Scene IV 
     Act I   Scene V 
     Act I   Scene VI 
     Act II  Scene I 
     Act II  Scene II 
     Act II  Scene III 
     Act II  Scene IV 
     Act II  Scene V 
     Act III Scene I 
     Act III Scene II 
    
    
     Act III Scene III 
     Act III Scene IV 
     Act III Scene V 
     Act III Scene VI 
     Act III Scene VII 
     Act IV  Scene I  
     Act IV  Scene II 
     Act IV  Scene III 
     Act IV  Scene IV 
     Act V   Scene I 
     Act V   Scene II 
     Act V   Scene III 
     Act V   Scene IV 
     Act V   Scene V 
     Complete play
    


     Act II 

    
    ACT II: SCENE II	Imogen's bedchamber in Cymbeline's palace:
    	a trunk in one corner of it.

    
    	IMOGEN in bed, reading; a Lady attending
    
    IMOGEN	Who's there? my woman Helen?
    
    Lady	Please you, madam
    
    IMOGEN	What hour is it?
    
    Lady	                  Almost midnight, madam.
    
    IMOGEN	I have read three hours then: mine eyes are weak:
    	Fold down the leaf where I have left: to bed:
    	Take not away the taper, leave it burning;
    	And if thou canst awake by four o' the clock,
    	I prithee, call me. Sleep hath seized me wholly
    
    	Exit Lady
    
    	To your protection I commend me, gods.
    	From fairies and the tempters of the night
    	Guard me, beseech ye.
    
    	Sleeps. IACHIMO comes from the trunk
    
    IACHIMO	The crickets sing, and man's o'er-labour'd sense
    	Repairs itself by rest. Our Tarquin thus
    	Did softly press the rushes, ere he waken'd
    	The chastity he wounded. Cytherea,
    	How bravely thou becomest thy bed, fresh lily,
    	And whiter than the sheets! That I might touch!
    	But kiss; one kiss! Rubies unparagon'd,
    	How dearly they do't! 'Tis her breathing that
    	Perfumes the chamber thus: the flame o' the taper
    	Bows toward her, and would under-peep her lids,
    	To see the enclosed lights, now canopied
    	Under these windows, white and azure laced
    	With blue of heaven's own tinct. But my design,
    	To note the chamber: I will write all down:
    	Such and such pictures; there the window; such
    	The adornment of her bed; the arras; figures,
    	Why, such and such; and the contents o' the story.
    	Ah, but some natural notes about her body,
    	Above ten thousand meaner moveables
    	Would testify, to enrich mine inventory.
    	O sleep, thou ape of death, lie dull upon her!
    	And be her sense but as a monument,
    	Thus in a chapel lying! Come off, come off:
    
    	Taking off her bracelet
    
    	As slippery as the Gordian knot was hard!
    	'Tis mine; and this will witness outwardly,
    	As strongly as the conscience does within,
    	To the madding of her lord. On her left breast
    	A mole cinque-spotted, like the crimson drops
    	I' the bottom of a cowslip: here's a voucher,
    	Stronger than ever law could make: this secret
    	Will force him think I have pick'd the lock and ta'en
    	The treasure of her honour. No more. To what end?
    	Why should I write this down, that's riveted,
    	Screw'd to my memory? She hath been reading late
    	The tale of Tereus; here the leaf's turn'd down
    	Where Philomel gave up. I have enough:
    	To the trunk again, and shut the spring of it.
    	Swift, swift, you dragons of the night, that dawning
    	May bare the raven's eye! I lodge in fear;
    	Though this a heavenly angel, hell is here.
    
    	Clock strikes
    
    	One, two, three: time, time!
    
    	Goes into the trunk. The scene closes
    
    
    

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